What Is Your Favorite Film and Camera Combination? Not responsible for typographical or illustrative errors. After this process — which for the RB67 took a few hours — the camera actually seemed to look pretty good. 1. I decided that if the lens was as-stated, it was worth the price, and I bit — hoping that the leaf shutter was still in good condition as well. The RB67 takes its place alongside the famous Mamiya C Professional and the Mamiya Press Cameras. Recently, however, I’ve also come back around to using the RB67 outdoors for landscape shooting, due to the longer lenses I can use with it, compared to the relatively few lenses and shorter focal lengths available for the 7 II. (Camera Wiki has more details on the RB if you’re interested.). The first is basically a box and dark slide, into which a film insert is placed. There may be situations where it’ll come-in handy, such as on a tripod for a studio or other fixed position shot, but this is a camera that truly begs to be used with a waist level finder, and like other Mamiya cameras, that finder works and folds nicely and easily. It feels extremely solid in hand. Back to finder itself; beyond the weight savings, I find the camera much more natural to use with a waist-level viewfinder. One of the things I find weird about it is that in portrait (vertical) orientation, the dark slide pulls out from the bottom of the camera, which is fairly awkward in the field. (I’ll eventually have a full blog post about this process.). the lens aperture manually or meter lenses (such as the lens, those PXW-FS7 Sony NEX-3, Actual product may not fit this the lens is be disrupted. Currently, I have just two lenses, the 90mm f/3.8C I bought with the camera, and the newer 250mm f/4.5 K/L. Enter new zip code to refresh estimated delivery time. It is, simply put, huge. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. Some people called them soft and others got a sharp optic. I think the owner’s manual for the RB67 says it best, however, and mentions another member of the family, Mamiya’s unusual press cameras: The Mamiya RB67 is one member of a unique “camera family” developed by the Mamiya Camera Company, a recognized world leader in large-format photography. (217mm) (with 127mm f/3.8 lens), Camera body with revolving adapter and focusing hood 3 lbs., 3-2/16 oz. (144mm)Width: 4-3/32in. Unfortunately, your browser doesn't support these improvements. To do that, two sliding latches, one on either side, are moved to the open position, and the back can merely be lifted away. On the up side, while the camera doesn’t have a dark slide holder in the conventional sense, the slide does slide into a space on the left side of the body (from the photographer’s view). Free shipping on many items | Browse your favorite brands | affordable prices. But then there are the other options: 6×7, 6×9, and some variations that are even larger. Please enable javascript for your best B&H experience. Composing an image with this huge finder is a fun experience like no other. By “considerable,” I mean 2 lbs., 1.5 oz., which is just shy of a kilogram at 948 g. The waist-level finder is about 7 oz. When you get to 6×9, it’s roughly the same size as “2×3” large format (which is in most cases 2¼x3¼), so if bigger really is better, well, you just keep buying cameras apparently** — or at least that’s what I’ve done. The shutter is cocked manually by pressing down the large lever on the right h… It's the perfect portrait lens in my opinion. The Mamiya RB67 Pro-S is a unique, high-grade, 6 x 7cm lens-shutter type, single-lens reflex camera developed to offer excellent picture quality and easy handling. Not surprising, really, considering that they’re about 60% larger than 6×4.5, and over four times larger than 135 (35 mm) film. It feels like you can see everything, you can see it clearly. The RB67, on the other hand, signaled a change for me and represents the moment I began to take photography more seriously. There are different focusing screens that were available for the RB, and mine has a split prism in the center, which I appreciate. (750g). M-lock is named for Mamiya, I have to believe, and is the attachment system used by most of the Mamiya Press cameras by default. When you twist the film back to horizontal (landscape) mode, a mechanical linkage causes two red bars appear under the focusing screen, showing you the borders of that image area, while serving as a visual notification of which way you’ve got things set-up. Rather than having to turn the entire camera 90° to shoot a vertical photo, you can simply turn the film back 90° with the flick of your wrist. One of the coolest things about medium format is that there are so many ways to make use of the real estate. I’ve written often about how little I like eBay, and how little I like risking money buying things there, but a Japanese seller had a 90 mm lens for sale that appeared to be in good condition, was advertised as “near mint,” and was promised as having no scratches, haze, fungus, separation, dust or other issues. Certainly not to be underestimated, this camera is incredibly intuitive and straightforward to use. Gen. #0907906. Somit spart man sich den Gang in die Fußgängerzone und hat noch viel mehr Vergleichsmöglichkeit problemlos sofort zu Gesicht. Shooting handled is possible, but all day would quickly become a pain.An important note regarding the RB67 … First of all, I have to say that with the Mamiya RB67 Pro as well as the Pro S and Pro SD, you are holding a reliable and high-quality camera in your hands. Beyond the image size, however, I was interested in the cameras that expose these enlarged images, and with 6×7, one of the most affordable and most highly regarded of the lot is the Mamiya RB67. The back is compatible with all three Mamiya RB67 Professional system models: the original RB67 Pro, RB67 Pro S, and RB67 Pro SD bodies. On the left side of the body is a cold shoe. She is quite a lump of metal, relatively heavy and chunky. I came home from a recent trip to California to find both parcels waiting for me at the Post Office. Page 40: Special Pointers In Using The Mamiya Rb67 Pro-S 0 Special Pointers on Using the Mamiya RB67 Pro-S Various safety interlock devices are provided for the Mamiya RB67 Pro-S to eliminate failures through care- lessness. One advantage of NatCam is that they do post photos of the actual item — unlike KEH which posts “representative images.” So it’s sort of incumbent upon the purchaser to look carefully at the images, and make sure that if you’re concerned about cosmetics, it’s up to snuff. (Well, for some reason, a Hasselblad with an A16 back takes 16 6×4.5 cm images, but most are 15.) The RB67 was introduced in 1970, and soon became a very popular camera for both amateur and professional photographers. The next ring is for the shutter speed, which goes up to a minimum of 1/400th of a second. The other part of the RB67’s name, the 67 part this time, stands for 6 x 7 format, which is roughly a 6 x 7cm image area. To be honest, I can’t imagine holding the camera up to my eye to take a shot each and every time; it’s just big, heavy and awkward. I will always be thankful for that camera! It was manufactured for just four years, at which point — in 1974 — it was replaced by the RB67 Professional S, which is the camera I have, and which is the subject of this review. Tell us about it in the Comments section, below. Rational 6 x 7cm format RB67 Pro vs Pro-S. Close • Posted by 44 minutes ago. More on those results later; for now, let’s talk about the camera more generally. I’d been intrigued by what I’d heard about the Mamiya RB67, and started keeping my eyes open for one. P-lock is named for Polaroid, and a P-adapter is first mounted to the RA, then that allows connection of P-lock attachments. I anticipated that, and immediately ordered a complete set of seal and rotating adapter seals from Gray at USCamera (see my directory). Using the RB67 has actually been a lot of fun, and the camera takes amazing images. Multiple backs would solve the problem in the field, but the other issue is that the film insert can easily just fall right out of the back when the door is opened; something you do with some care. In the past there were some manufacture tolerance issues with a couple of the old C and non C lenses. Part of the issue is that the focusing screen on these cameras is a whopping 2-5/8″ (6.7 cm) square, and the viewfinders have to cover that entire area. Just eight days later, the lens was in my hands, and it was everything it was promised to be. G-lock is named for Graflok, and is the connection used to attach the RB’s film back to the RA. If you are buying a new RB67 in the Pro-SD area then you are in for some fine lenses. I pretty much stopped using film around 2007, but I recently shot a family portrait with the RB just for fun and it still works perfectly! Where I don’t get along as well with the 3:2 of 35mm and DSLRs, nor the too-tight square format of a Hasselblad or Rollei, the 6 x 7 format fits just right. From old Mamiya sales materials, it was depicted like this: They have different purposes, all of which are probably obvious from that illustration, but with a little more detail are as follows: I have no idea how Mamiya managed to design all these locks and adapters and film backs in such a way as to ensure that the film plane was in precisely the same spot across the board — necessary for accurate focusing — but apparently they pulled that off somehow. I suppose the advantage is that when you see an RB lens sitting on the shelf of a used gear retailer, you immediately know what you’re looking at. & Home App. The quirky part of this, apart from its sheer size, is that after you take a shot, you have to use one lever to advance the film, and another to cock the shutter, before you can snap another shot. It uses a locking ring system, with the ring itself on the lens barrel. Viewed 329 times 2. Mamiya RB67 Pro (Original not pro s or sd) DSLR light metering. The RB67 is fully mechanical, which, along with its lower price tag, is what originally brought me to the RB instead of the RZ system. Mamiya RB67 Pro S Manuals & User Guides. I called around, I looked around, and literally the only thing I could readily find outside of eBay (most of which located in Japan) was a 180 mm fixed focal length RB lens from Roberts’ used store (UsedPhotoPro) out of Indiana. Once you meter the scene and dial-in the aperture and shutter speed on the lens, you don’t have to worry about putting your fingers on the wrong lens ring (which I seem to do regularly with my M645 1000S) since focusing isn’t on the lens barrel at all. As a result, one of the first steps for any used camera or accessory purchase of mine is to take it to my workshop, and give it a good, meticulous cleaning. In any event, the design of the lenses on the RB is, frankly, weird — and totally in keeping with the weirdness of the rest of the camera. The shutter button is located on the front bottom right of the camera. Classic Cameras: 6 Photos and 7 Anecdotes ... Classic Camera Review: The Zeiss Ikon Hologon Ultrawide, Fujinon Delivers Quality with Premium Hyper Clarity Binoculars, Sigma Launches “I Series” with New 24mm, 35mm, and 65mm Mirrorless Lenses, Olympus Releases Lightweight Super-Telephoto Zoom Lens, ZEISS Adds to Premier Binocular Lineup with Impressive Victory SF 32, Scanning without a Scanner: Digitizing Your Film with a DSLR. Much like you find on a Mamiya C-Series TLR, on either side of the body, at the bottom, you have two large knobs. Mamiya feels confident that the extensive versatility and capabilities of the Pro-S will meet and satisfy the requirements of all photographers. Finally, the business end of the beast, as they say: the front of the body and lens. Thank you for a great walk down memory lane. For me, and anywhere you see it referenced on this web site, a prime lens is whatever fixed focal length lens is considered normal, primary, customary or typical for the camera or film/frame format in question. Rather like the film loading, having a third hand would be quite useful with the RB. At the back is, literally, the back — as in film back. Thankfully, NatCam also had a waist-level finder for the RB67, and while it was priced a little higher than I think it should have been, I decided to spring for it as well. In either horizontal or vertical orientation, pairs of solid lines will show in the viewfinder to indicate the boundaries of the film area for making accurate compositions. The next example of the said quirks is the depth-of-field scale. While I waited, I began the process of digging out the old seals, and cleaning the channels where they were located. MAILED TO YOU, SEE THIS OUTSIDE COMPANY'S OFFER >>> Click here to go to main Camera Manual site RIGHT CLICK ON LINK BELOW, CHOOSE "SAVE TARGET AS" SAVE TO FOLDER OF YOUR CHOICE (Acrobat 7.0 or Foxit PDF needed to read it) Problems opening PDF files or … Speed up future orders, see order history, create wish lists, and more. Still, I needed to replace those light seals, and as it happens, USCamera is just a few miles away from me here in Colorado, so the seals arrived in a couple of days. As you spend time with the camera over the course of a shoot, unless you intend to stick with a single lens choice, you’ll eventually discover that swapping lenses in the field is a bit challenging. I saved my money from caddying for an entire summer to purchase my RB67 Pro-S kit with 90mm f/3.8C and 180mm f/4.5C lenses, two 120 film backs, and a waist-level finder. Mount Adapter - Mamiya 645 (M645) Fotodiox Pro Lens. You can rotate this scale, slide-rule style, to show the distance to your subject, then read from the aperture setting what the range of the depth-of-field is. We strive to offer our customers the easiest, most seamless shopping experience every day—using the latest technology and security measures. The Mamiya RB67 was designed to stand alongside Mamiya’s equally robust C series of 6×6 TLRs and was launched in 1970.

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